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Part 2 of my Zutara/Pride & Prejudice mash-up. The first one was fun to do, so why not a part 2? Also the idea of Jet-Wickham was too tempting. (And Aang-Collins–sorry Aang, it had to be this way. We still love you)
And the famous hand stretch scene, aah. A brilliant detail. Again, love this movie.
also much as i hate to mention the solo movie when chewie introduced han to the wookie they found in the mines his first reaction was to pat hans head like you would when you meet a new dog
To further the analogy of Han is the Dog, According to various canon sources, a Standard Human in the Star Wars universe has a life expectancy of roughly 100-120 years. A Wookie has a life expectancy of around 400 years.
So, caring for Han for Han’s whole life is a commitment of less than a quarter of Chewie’s life. It’s like having a dog that lives to 20-22. A long term companion, but one you know you’re probably going to outlive.
exactly, thor attracts hopeless lesbians who desperately want advice from this Smooth Motherfucker and t’challa attracts smooth lesbians who like, see this trash pile and are like “he’s the worst we need to help him”
You, an intellectual: the plot twist of venom not really dying in an explosion that was sure to kill him is the product of lazy writing intended to evoke cheap emotions out of the audience.
Me, a dumbass: venom just wanted to see if Eddie would care if he died it’s basically the equivalent of the stereotypical popular girl from a 90s movie dropping her purse to see if a jock would pick it up for her
You know what I find interesting? How I Met Your Mother just like… disappeared from culture after the finale aired. Like sure you might still hear the odd, “Challenge accepted” or use that gif of Marshall hugging the pillow as a reaction image, but no one really uses the phrases in vernacular, no one talks about the episodes.
And I think it has to do with the fact that the finale betrayed fans badly.
Take Friends for instance. It still is a lasting cultural thing. I think we can all agree now in hindsight, that Ross is an absolute douchecanoe, but at the time, the majority of fans wanted Ross and Rachel to get together because it had been this thing that the show had told us through cues was MEANT to be.
In HIMYM, the entire show was predicated on MEETING the Mother, and we had ruled out that Robin wasn’t the Mother. More than that, they had shown us that Barney and Robin were actually perfect for each other. They had spent episodes and seasons redeeming Barney, and softening Robin and showing us why they were meant to be. And to see BOTH of those relationships forced apart for a series finale that they had written all the way back in season 1 that didn’t make any sense for the story they eventually told, was damning for the show’s legacy in culture.
I firmly believe that writers should be able to write the story they want, and if you want to listen to constructive criticism or do a little fan service along the way then great, but when you get to the finale? That right there is 100% for the fans. The finale is when you let go of the story completely. The finale is a love letter to the people who made your show continue for as long as it did. Good finales are why shows survive.
When you’re writing a work-in-progress, sometimes you have to abandon your original plan. Let that be a lesson.
This.
But, also, they actually succeeded with the Mother. I thought that ‘The Mother’ would never be able up to the hype and mythologizing Ted did, but y’know what?
Tracy McConnell lived up to the hype and more, and had amazing chemistry with Ted. And instead of writing towards the characters and the amazing performance on screen the showrunners force an ending they planned from almost a decade before.
HIMYM is also very much a lesson of listening to the characters and, if you’re writing for actors, to the truth of the chemistry that’s in front of them.
Another crucial lesson? Endings are important because if you botch that up, everything you did before that will just disappear into the ether of annoyance and anger.
I think the worst thing was they made us fall in love with Tracy and went ‘welp, she dies at the end’ which to me canceled out her value as a fleshed out character – which is an amazing feat in of itself with the number of episodes she was in – and turned her into this plot device that was brought into existence to give ted the kids he wanted so he can end up with ‘the love of his life’, Robin who never wanted kids.
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